Wednesday, February 17, 2010
Getting ready to transport our 55,000 feet of raw footage to it's new resting place. We are starting our much anticipated color correct and conform. Russell has very specific ideas for the look of the film which include keeping the integrity of it's gritty look but with a finished eye. He's excited to play with the saturation and stay true to his original story perception of each character playing within a specific color palette. He worked closely with the costume designer and production designer to tell the color story.
Monday, February 15, 2010
Tuesday, February 2, 2010
I worked in the art department on this film and I'm so proud of all the awards it's won and now all of it's Oscar nominations. I remember reading the script in the coffee shop down the street and felt proud to be a part of it even then and if it had just played at an art house theater, would have been fine with me. Fortunately, it's gone a bit beyond that.