Wednesday, February 17, 2010

It's gonna take Air Force One

Getting ready to transport our 55,000 feet of raw footage to it's new resting place. We are starting our much anticipated color correct and conform. Russell has very specific ideas for the look of the film which include keeping the integrity of it's gritty look but with a finished eye. He's excited to play with the saturation and stay true to his original story perception of each character playing within a specific color palette. He worked closely with the costume designer and production designer to tell the color story.

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